【钢琴教学】英皇钢琴考级第四级C:1曲目演奏示范及教学要点

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英皇钢琴考级四级C:1曲目演奏示范及教学要点

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英皇考级全球事务总监Timothy Arnold演奏

【教学要点】

C:1 D.C.Glover Indian Pony Race

This is perhaps less the‘pony club’and more the open countryside ofVirginia and the training of a wild Chincoteague Pony．Therein liesthe solution to practising the piece：it is wild andexciting but requires physical discipline，patience andunderstanding．

The musical pony，having been caught，needs breaking in：careful fingering should precede a slow education of the notes intothe fingers，noting bars that are repeated．Consistency offingering is crucial，espe-cially in the right-hand chords(bars 3 and 4 etc.)where theremust be no hesitation when the harmony changes．Practising theseoffbeat against the bass notes will help，as will using a5/3/1 rather than 4/2/1 fingering.

A more robust kick of the hind legs in the bass notes,and lighterchords in the right，will convey leaping and bucking；the shake of themane in bar 6 needs every little ruffle clearly defined．Experimentingwith the semi-quavers，drumming on the piano lid，will helpconsolidate the rhythm：a shake of the wrist on to the fingertips will help develop a quick，relaxedwrist staccato for all the passages involving semiquavers．

The pony calms down and behaves itself from bar 11．but thepianist requires continued concentration and control．A relaxedbounce from the lett wrist is essential here,and the crescendo and diminuendohairpins give just a hint of unease．

The final five bars need good anticipation,the frisky characterchalleng-ing the performer's hands to jump confidently to new positions．Rhythmic workand shadow jumping will help the control and leave the performer greaterfreedom to enhance the final crescendo with held pedal-the lively pony leapingthe fence and making a bid for freedom!

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